Choppy Satire
Solicitation
For Identification Assistance
I
am looking some help in identifying a commercial
that ran on USA Network. The commercial in question ran on Monday, July
30th, at approximately 12:36 A.M., during an episode of Political
Animals, episode title "The Woman Problem". The commercial in question
features Bay Buchanan, Senior Advisor at Romney For America, and the
video appears to be taken from an appearance she made on CNN's "The
Situation Room". The audio in this commercial is completely distorted,
none of the words that are being said are audible, all that is heard in
this commercial is choppy static. I am unable to idenfity on what date
the video is taken from, but the graphic that appears directly beneath
Bay Buchanan reads "ROMNEY AD: OBAMA "DOESN'T TELL THE TRUTH".
This
is a commercial I've seen several times before. However, I seem to be
unable to find any information about it. I've dug around online and
cannot even find any chatter about it.
Can
you help me in identifying who is responsible for this commercial, or
point me in the direction of somebody who can? Any help in this matter
will be appreciated.
Harry
O'Keefe
Recently,
Senate Majority Leader Harry Reid made some accusations about Mitt Romney's
taxes. These accusations have resulted
in Sen. Reid receiving a lot of criticism from press, pundits, fellow
politicians, and random people on Twitter.
These
accusations center on an anonymous claim by a Bain Capital investor that Mitt
Romney had not paid any taxes for a ten year period. These accusations were made in a phone call
to Sen. Reid's congressional office.
Most of
the pundits criticizing Sen. Reid have focused on the absurd nature of these
allegations, as well as the anonymity of the source of the allegations. While I too have problems with these
allegations, my problems do not lie directly with Senator Reid. They lie with the caller. Does anyone remember Jimmy O'Keefe?
Jimmy
O'Keefe is a self described journalist, antagonist, and real life
satirist. On multiple occasions, Jimmy
O'Keefe has released videos that have shown Democratic politicians, and other
liberal activists, in a negative light.
These videos were procured using methods that many call underhanded,
unfair, and criminal.
The last
time I remember hearing of Mr. O'Keefe was when he tried to film unflattering
videos at the Occupy Wall Street protests that occurred last year. What has Jimmy O'Keefe been doing since
then? Who else has he inspired? What other self styles satirists exist out
there that would use tactics similar to Jimmy O'Keefe's?
Harry
Reid's accusations don't pass the smell test to me. This is not because I don't believe the
substance of them, although I must admit the substance of them seem completely
absurd to me. The source of the
accusations are suspect to me. It is my
honest belief that someone could call up Senator Reid's Congressional Office,
pass themselves off as a Bain Capital investor, and tell the Senator's office
things that they then would tell the media about. Harry Reid wouldn't be the first sitting
politician to be pranked like this.
Unless
the person making these accusations comes forward with substantive proof that
what he is saying is true, I am forced to conclude that these accusations are
false. Of course, all of these
allegations could be easily cleared up if Mitt Romney would release his tax
forms to the press. Those forms could
prove these allegations to be entirely ales and serve as a major embarrassment
to Senator Reed and the Democratic Party.
Labels:
Bay Buchanan,
Harry Reid,
Jimmy O'Keefe,
Tout
Volume 11: Part 1- Moenia Prima: Introduction
Part
1
Moenia Prima
Introduction
Settled by fur trappers in the year
1844, the city of Moenia Prima served as a resting point for travels making
their way between Dha Chathair and Trebyer.
Later on, Moenia Prima served as a haven for people who wanted to escape
the increasing influence of religion that came as a result of Dha Chathair’s
population explosion in 1863.
Moenia Prima experienced a
population boom when a facility that manufactured products for the Dolorian
military was built in 1980. With the
population boom came a diversification of the city’s residents. This resulted in an increase in the opfer
population in Moenia Prima, going from 11% of the total population in 1975 to
37% in 1984, with verbrechers making up the other 63%.
Like many other locations in Dolore,
the increase of opfers in Moenia Prima correlated with an increase in
crime. Many media figures in Moenia
Prima, as well as several politicians, blamed the increase in crime on the
opfers. This is despite much of the
increase being driven by a sharp and sustained increase in crimes being
committed by young verbrechers.
The scapegoating of opfers lead to
an increase in tensions between the majority verbrechers and the minority
opfers. The tensions resulted in the
Isotopia Riots in 1993. Despite the
riots going on for four days and resulting in nearly thirty-five million Valore
in damages, no substantial progress was made in quelling these tensions.
Before the situation currently going
on in Dolore flared up, the last Dolorian census, conducted in 2010, estimated
the population of Moenia Prima to be 83,112.
Vince Fielding, reporter VBNS
Volume 11: Prologue
Volume 11
by Hunter Red
©2012 Hunter Red
©2012 Hunter Red
This work was started on August 10,
2010, and was finished on May 16, 2012.
No portion of this book may be
reproduced or transmitted in any form or by any means without permission from
the copyright holder. Sorry, no straight
up free ways to get the book in its complete entirety. You can either pay the small price for the
physical copy, the even smaller price for the digital copy, or wait for the
serialized version to slowly come out.
There are various ways that this work
will be distributed, both through traditional means and untraditional. It’s not that the writer dislikes the
traditional distribution method, it just hasn’t worked for him yet. If you think it can work for yourself, more
power to you. If you think it can work
for the writer, contact him.
Prologue
The story of the situation currently
going on in Dolore has been trickling out for weeks now. Most of the stories rely on footage smuggled
out of that country and second hand accounts.
What follows is a firsthand account of one person’s experience of the
situation going on in Dolore written as he was experiencing it. It is not a complete account of the situation
going on in Dolore, but it does provide an insight into the people involved in
it.
Volume 11 is a journal written by
Hato Shurtleff with the Hipster Journal Program, both through typing entries
out on the Hipster and by utilizing the voice recognition software on the
Hipster. At the start of Volume 11, Hato is an eighteen year old high school senior
living in Moenia Prima, Dolore. At the
start of each part there will be a short introduction written by myself, and
there is an event that is not written from Hato’s perspective, but the vast
majority of Volume 11 is written by Hato Shurtleff. It is written by Hato Shurtleff, about Hato
Shurtleff, involving things that happened to Hato Shurtleff. Contained in this account is also what Hato thoughts
are about the things that are going on.
The first entry in the account is dated Sunday, January 9th,
2011.
Let us begin.
Vince Fielding, reporter VBNS
Hunter And Robin And A Beer Keg
Character
Bio
Hunter
Red, pictured left, is a nominally successful satirist, writer, and potential
lunch winner living in Salt Lake City, Utah.
Mr. Red is a recovering alcoholic, although his recovery has been less
than successful since he has stopped going to his prescribed therapy sessions,
and has begun drinking again. Hunter is
has a mostly negative viewpoint of the world, is distrustful of all humans, and
thoroughly enjoys cheesecake.
Robin
Anderson, pictured left, is Hunter Red's most recent ex-girlfriend. Hunter's relationship with Robin was
complicated by the fact that she is not real.
Robin is a product of an alcohol fueled hallucination. This was a hallucination that Hunter like to
experience, due to Miss Anderson being the only real serious girlfriend Mr. Red
has ever had. Robin is intelligent,
strong willed, and has a razor sharp wit.
Hunter
Red And Robin And A Beer Keg
Hunter
Red pulls up to his condo in Ruby, his big fucking SUV. He pulls into his garage backward and quickly
closes the garage door. Out of the back
of Ruby, Hunter pulls out a beer keg.
Hunter places the beer keg in an open spot on the floor of his garage,
then begins to speak as if someone is listening. No one is currently present in the garage as
Hunter begins to speak.
Hunter
Red- Yes, here now, the light of the
party on college campuses across the nation, your standard beer keg. Sure, kegs are illegal here in the state of
Utah, but the fuck I care. Alcohol laws
are made by old, fat, white, bigots who only want to control the population and
line their pockets with gold. Also, they
are fat.
Hunter
Red walks over to the toolchest he keeps in his garage, digs around for a
little bit, then finds what he was looking for, the tap for a beer keg. Hunter walks over, taps the keg, hooks up the
nozzle to it, then says-
Hunter
Red- Well, let's begin.
The
camera pans over to a clock on the wall of Hunter's garage. In typical television fashion, the hands on
the clock start to move quickly untill three hours and seventeen minutes have
gone by. After the timeshift, the camera
pans back over to Hunter. Mr. Red is
sitting on the floor of his garage, next to the beer keg, with the nozzle in
his mouth. It is clear from the visual
cues that Hunter has been spending the past three hours and seventeen minutes
drinking directly from the beer keg.
Hunter removes the nozzle from his mouth and says-
Hunter
Red- Yeah! Take that polimaticians. I just drank beer from a beer keg that was
full of beer from a beer keg because it was a keg that had beer in it because
it was a beer keg. (Loud belch) Ha ha ha!
YEAH!!!
The
camera pans away from Hunter to a door in the garage leading into the
house. The door is open and the room is
brightly lit. Through the door the sound
of a pair of high heels can be heard clacking on a hard wood floor, making
their way closer and closer to the door, the sound of which echoes throughout
the entire house. A figure walks into
the door frame, a beautiful figure wearing high heels silhouetted by the
intense light coming from the other room.
The camera follows the legs of the person, particularly the heels,
clacking with every step, as the figure walks through the door frame, across
the garage, over to where Hunter is sitting.
Hunter looks up at the figure, bleary-eyed and obviously drunk.
Hunter
Red- Hi.
I haven't seen you in a while.
You look voluminnomnoninous.
The
camera shot changes to reveal who it is that Hunter is talking to. The figure is Robin Anderson. Robin looks down at Hunter with
disappointment in her eyes.
Robin
Anderson- So, let me get this straight:
You drove all the way up to Evanston, risked getting caught and prosecuted,
just so you could get a giant container of beer.
There is
an unapologetic tone to Hunter's face when he says-
Hunter
Red- Yep.
Robin
Anderson- Did you save any for me.
Hunter
holds up the nozzle connected to the beer keg and presses the button on
it. A small stream of mostly beer foam
trickles out of the nozzle.
Hunter
Red- Nope.
Robin
maintains her disappointed look as she sit down next to Hunter on the floor of
the garage.
Robin
Anderson- You don't look good.
Hunter
Red- Did I ever?
Robin
Anderson- Yes, you did. You looked quite good when I was with you.
Hunter
Red- Not nearly as good as you look.
Robin
Anderson- Well, that goes without
saying. How have you been?
Hunter
Red- How have you been?
Robin
Anderson- Are you imitating me?
Hunter
Red- No.
Robin
Anderson- Are you sure, because you know
how I've been.
Hunter
Red- No I don't.
Robin
Anderson- I'm an alcohol fueled
hallucination.
Hunter
Red- That doesn't answer my question.
Robin
Anderson- I feel good, or bad. I'm not sure.
Not being real kind of makes you question how you feel about things.
Hunter
Red- What do you mean not being real?
Hunter
puts his hand on Robin's thigh.
Hunter
Red- You sure do feel real.
Robin
Anderson- Of course I feel real, this is
your hallucination.
Hunter
Red- Yeah, but even when I wasn't drunk
and somehow remembering hallucinating you, you felt real.
Robin
Anderson- Of course you thought my body
felt real.
Hunter
Red- No, I mean the connection we
had. The way you would talk with me, laugh
with me, converse with me, criticize me, all of the parts of a fully
functioning relationship, it felt real.
Robin
Anderson- But it wasn't.
Hunter
Red- Yeah.
A look of
incredible sadness comes over the face of Hunter. Robin looks at Hunter and says-
Robin
Anderson- Hunter, you need to move on.
Hunter
Red- No.
Robin
Anderson- Hunter, you need to move on.
Hunter
Red- No.
Robin
Anderson- Hunter, you need to-
Hunter
Red-(Angrily) I heard you, I just don't
want to.
Robin
Anderson- Why not?
Hunter
tries to stand up, but fails, falling hard on the concrete floor he was just
sitting on.
Robin
Anderson- I think you need help.
Hunter
tries to stand up again, with the same result as he had the first time.
Robin
Anderson- I think you need help.
Hunter
tries to stand up again, this time falling forward, landing hard on his
shoulder and laying on his back on the cold concrete floor. Robin stands up, looks over Hunter with a
kind of caring look in her eyes.
Robin
Anderson- Hunter, you need help. Hunter, you need to move on. You need to clean yourself up, for real this
time. You need to do this, because you
can't just spend your life obsessing over things that never were. You need to start dealing with things that
actually are. This world is a wonderful
place, and while I am not in it, many other things and people are. Hunter.
Hunter, can you hear me?
Hunter is
laying on his back on the cold concrete floor asleep. Robin eyes are again filled with
disappointment.
Robin
Anderson- (Sigh) I hope somewhere in his deep subconscious he
heard me.
Robin
Anderson walks across the garage floor, back through the door frame, and closes
it behind her.
END SCENE
In our
most desperate hours, we often grasp on to one another. For strength.
For stability. For someone. Someone so that in our hour of desperation we
do not face that desperation alone.
Labels:
Death From Above 1979,
Hunter Red,
Robin Anderson,
Volume 11
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